THE VOICE OF INTERNATIONAL LITHUANIA
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The economy of Lithuania is expected to reach $57.3 billion by 2018. Economic growth of the country declined in the wake of economic crisis, but recovered impressively due to factors such as government stimulus packages and export growth. Slow growth rate was mainly caused by service sectors as construction, real estate, and financial intermediaries witnessing low productivity against increasing labor costs.
Lithuania is lagging behind Europe’s leading economies in terms of economy size and per capita income.
The study reveals that Lithuania is extremely dependent on trade with other European countries. Hence, change in the external demand may affect the economic situation.
Secondly, the population in Lithuania has been constantly decreasing over the last decade, as young people are emigrating to other countries for jobs and better livelihoods.
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SMALL IS THIS LAND,
But great is its truths. To be. To survive. To testify by itself to the abundance and variety of the world’s nations, to the value of man’s life in freedom in his homeland.
PAINFUL IS THIS LAND,
Each blade of grass here sprouts from a drop of blood or a tear.
TOILFUL IS THIS LAND,
In the sandy soil of a hillock it grows both grain and graves marked with crosses.
BRAVE IS THIS LAND,
It went from uprising to uprising, from exile to exile, from deportation to deportation. A great number of its people were laid to rest in the permafrost of Siberia, some of their bones were flown back to their native soil, the survivors lost their health in slave labour, but returned home.
BEAUTIFUL IS THIS LAND,
Over each hillock, over each forest and over each lake it looks the same and different. It is just like our folk song: Though over the Nemunas river it seems to be sung in a different manner, it is nevertheless filled with the same longing and poignant emotion.
Justinas Marcinkevičius
Justin Marcinkevičius Važatkiemio in his native village in 1986.
Photo: Romuald Rakausko.
Marcinkevičius was born in 1930 in Važatkiemis, Prienai district. In 1954 he graduated from Vilnius University History and Philology faculty with a degree in Lithuanian language and Literature. He joined the Communist party in 1957. He worked for a number of years as vice-chairman of the board of the official Union of Lithuanian Writers. He died in Vilnius on the 16th of February 2011.
Having grown up during the post-war period, Marcinkevičius evokes in his poetry a romanticized version of childhood spent in the Lithuanian countryside, of first love, of man's relationship with nature. In his poetry specific and solid peasant thinking is combined with a mind seeking to draw broad general conclusions, and the tradition of Lithuanian poetry singing the Earth's praises with contemporary modes of poetic thought. As a poet, he has sought to grasp the essence of national experience and give it fresh artistic expression. In his lyrical verse Marcinkevičius strives to comprehend the real meaning of what is going on inside man and society and moves the reader with his ardent lyrical confessions.
For most his life Justinas Marcinkevičius lived and wrote during the complex times of Soviet totalitarianism. He defended the cultural self-awareness of his nation. The poet brought back humanistic idea in describing a man, continued on the romantic and lyric poetry tradition, valued the aesthetic side of literature, as opposed to the heroic and propagandistic style of socialist realism. Marcinkevičius wrote poems in a romantic and modern style. Justinas Marcinkevičius is regarded as one of the most prominent members of Sąjūdis.
Canadian economist Arthur DeFehr, who has a business in Lithuania, offers the experience of Manitoba province in his native Canada as an example to follow. When it faced depopulation, the prairie province started importing foreigners it needed to revive the economy. The results more than met expectations – unemployment started shrinking and remained below the national average even during the downturn.
DeFehr, who has a degree from Harvard School of Economics and a wealth of international experience, knows what he is talking about. He was a godfather of the initiative aimed at attracting immigration to Manitoba. Over a decade ago, he became a member of the Trilateral Commission, has been in the World Economics Forum for many years, and has been developing a furniture business for almost five decades.
“If you're concerned about depopulation, you must think what to do,” DeFehr tells 15min. “People are moving to the city, so maybe Vilnius could keep its population. But if people continue to emigrate, both Vilnius and Kaunas will start shrinking. Social problems will surface – nothing new happening, universities shrinking... A country that has lost almost one third of its population over twenty years is facing a disaster in another 10 or 20 years. Lithuania will no longer be interesting enough for people to want to live here, it will become a place for pensioners.”
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Until recently, Vilnius was often called Europe's best kept secret. Very few knew that here lies one of the world's best-preserved cultural treasures, namely Eastern Europe’s largest and most attractive old town. Few knew that Vilnius is considered the world's most Italian city outside Italy and the world’ most Baroque city north of the Alps. This is now changing rapidly. The world population has become aware of both the city and the country and the number of travelers here is the sharp increase.
Vilnius is the city Lonely Planet colourfully calls "eccentric and soulful," and one that offers the best overall hotel prices in all of Europe. According to Hotels.com's Hotel Price Index, Vilnius in Lithuania has an average per-night hotel price of $80, putting accommodations costs within reach of budget travelers. Sweeten the pot with a favorable exchange rate, quirky attractions, and Eastern Europe's largest old town, and you've got an intriguing and affordable destination.
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By JULIE TURKEWITZ, NEW YORK TIMES
Tanya Aldag slips into a closet-size room in her home in suburban Maryland. The door clicks shut. Here, surrounded by thousands of black and white prints, she goes tumbling back to Soviet-era Lithuania.
“It’s like you’re going deep into the water,” she said. “It can be hard to go there.”
Ms. Aldag, 64, is the widow of Vitas Luckus, once a prince — perhaps even a king — of the Soviet photography scene. From the 1960s to the mid-1980s, he traveled throughout the Soviet bloc, capturing peasants, performers, partiers and policemen, as well as a generation of grippingly attractive young artists. He scurried across sloping rooftops (Slide 15), camera swinging from his neck. He worked obsessively, with little care for what others thought. The secret police were a constant presence in his life, burgling his home and beating him in bathrooms and cafes.
In January 2013 compared with January 2012, industrial production decreased by 1.3% in the euro area (EA17) and by 1.7% in the EU27, according to estimates released by Eurostat, the statistical office of the European Union. Based on these estimates, Lithuania is among the countries with the highest growth of industrial production in the EU.
Among those countries for which data are available, industrial production fell in eleven and rose in seven EU member states. The largest decreases were registered in Sweden (-5.9%), Finland (-5.4%), Greece and Spain (-5%), with the highest increases in Bulgaria and Lithuania (8% each) as well as Estonia (5.5%).
In January 2013 compared with January 2012, production of durable consumer goods fell by 5.5% in the euro area and by 4.3% in the EU27. Intermediate goods production dropped by 3.1% and 3.4%, respectively. Capital goods production decreased by 2.6% in both zones. Production of energy increased by 0.9% in the euro area and remained stable in the EU27. Production of non-durable consumer goods rose by 3.1% and 2.2%, respectively.
Estonian E.L.L. Real Estate property development and management group that is majority-owned by Estonian businessman Toomas Annus plans to develop four office centres in Vilnius with a total leasable area of 44,000 sq.m at a cost of EUR 44 million euros, writes Äripäev with reference to news2biz LITHUANIA.
First in line is the smallest project of the four, a 4,300 sq.m, 7-storey, class A building very close to Vilnius' central business district. E.L.L. has already hired Lithuanian Baltic Engineers consultancy to design the technical project and find architects.
The building will be located next to a residential multi-unit house developed by E.L.L. earlier, and overlooking E.L.L.'s biggest project in Lithuania to date, the 65,000 sq.m Panorama shopping and business centre.
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The U.S. author of the book "We are here" (Mes esame čia), Ellen Cassedy (right), was in Lithuania last month. Here in eager discussion about Jewish life in Lithuania before the Holocaust and now today.
Ellen Cassedy in Vilnius last month, with her husband Jeff.
Read her own report from the visit HERE
The
U.S. author of the book "We are here" (Mes esame čia), Ellen Cassedy
(right), was in Lithuania last month. Here in eager discussion about Jewish
life in Lithuania before the Holocaust and now today.
Below: Ellen Cassedy’s report from her visit to Lithuania |
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The newsletter Energy Update, published by the Lithuanian transmission system operator Litgrid, summarizes the latest developments in the Lithuanian electricity sector.
In this issue:
- Litgrid and ABB signed a historical agreement on the construction of the LitPol Link power interconnection facility;
- The plans of electricity network development lie in the hands of competent specialists;
- Litgrid Junior Professionals Programme – perfect start for a career in power engineering;
- Students prepare electric energy plans for the next three decades;
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The Green Bridge sculpture "Industry and Construction (Pramonė ir statyba)" by Bronius Vyšniauskas and Napoleonas Petrulis.
Photos: Aage Myhre.
The Green Bridge (Lithuanian: Žaliasis tiltas) is a bridge over the Neris River in Vilnius, Lithuania. It is the oldest bridge in the city and connects city centre with the so-called right river bank and the Kalvariju g that leads to several of the city’s Soviet suburbs north of the city centre.
The first bridge is known from 1536. It stood closer to the present-day Mindaugas Bridge. It was a wooden covered bridge with brick and stone piers. It had a second floor with apartments for toll collectors. Because its builder Ulryk Hozjusz wanted to recoup the cost by collecting tolls, Grand Duke Sigismund I granted him a privilege prohibiting others to build any other bridges between Kernavė and Bistrica or to offer other crossing services between Verkiai and Paneriai. The bridge was burned by retreating Lithuanian Army after the Battle of Vilnius (1655).
The Green Bridge sculpture "Industry and Construction (Pramonė ir statyba)"
by Bronius Vyšniauskas and Napoleonas Petrulis.
Photos: Aage Myhre.
The Green Bridge (Lithuanian: Žaliasis tiltas) is a bridge over the Neris River in Vilnius, Lithuania. It is the oldest bridge in the city and connects city centre with the so-called right river bank and the Kalvariju g that leads to several of the city’s Soviet suburbs north of the city centre.
The first bridge is known from 1536. It stood closer to the present-day Mindaugas Bridge. It was a wooden covered bridge with brick and stone piers. It had a second floor with apartments for toll collectors. Because its builder Ulryk Hozjusz wanted to recoup the cost by collecting tolls, Grand Duke Sigismund I granted him a privilege prohibiting others to build any other bridges between Kernavė and Bistrica or to offer other crossing services between Verkiai and Paneriai. The bridge was burned by retreating Lithuanian Army after the Battle of Vilnius (1655).
A new project was prepared in 1673, which envisioned a span of 73 metres (240 ft) between piers—the longest known span at the time. However, an early spring and ice jam destroyed the piers. Therefore the old piers from the first were reused and the second bridge was complete in 1679. In 1739 another wooden bridge was erected and painted green. Since then it is known as the Green Bridge. In 1789 a new project of a brick bridge was prepared by Laurynas Gucevičius, but the builders selected another proposal. The construction was supervised by Marcin Knackfus. The project was not successful as the bridge burned in 1791. It was rebuilt according to a project by Michael Schulz in 1805, but burned again on orders from Michael Andreas Barclay de Tolly during the French invasion of Russia of 1812.
The bridge was rebuilt in 1827–1829. A steel bridge was designed by Nikolai Belelyubsky and completed in 1894. It survived World War I, but was blown up by the Wehrmacht in 1944. The present-day bridge was completed in 1952 and named after Soviet General Ivan Chernyakhovsky. After the declaration of independence in 1990, the bridge regained its historical name.
The bridge features four sets of sculptures—prominent examples of Soviet realism. They all feature two people, representing social classes idealized by the Soviet authorities (soldiers, workers, farmers, students). Three sculptures are 3.2 metres (10 ft) in height (including the pedestal); the soldiers reach 4 metres (13 ft) due to the raised flag.
The sculpture "Agriculture (Žemės ūkis)" by Bernardas Bučas and Petras Vaivada.
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